As a little bit of errata, I added these two pieces to the "Hey Zeus" stuff, anokhi, which means "I" and is the first word God spoke in Exodus was my first "clue" I think, anyway, to the two letter key of "an" which I usually read just like that, but I've said "Adam now" a few times and it happens to be the first and last letter of my first and last name--in this place where words are maps of the traversal through the book or maze, it's probably meaningful. The other one is "hic summus" which means "here we are" in Latin and keys pretty nicely to the union of my two shoulder tattoos; also there's "Hi-C" (or, how I see) in there with sunny delight. You might see that the "an"'s here should a unified set of myths and "playbook" connecting the NT and Exodus sort of revolving around "everything messianic" and you will probably see that has everything to do with you and I. It's English too threaded throughout Latin, well--close to English enough to imagine that "exceptusque conditoribus" is an oft-repeated threat to the "exact same" (really I shouldn't say that) "us" that heard a song about "just a stranger on a bus" and even though I read two paths through this map of Exodus and language both paths have something to do with the age of Aquarius. Anyway here's those two additions, they're not new, but the connection to all the "hey can you see me?" stuff is, I guess. Oh, that Latin phrase means "creators" or "founders" as in... of Heaven.
I added a sort of "hello, goodbye., peace" theme to the last three chapters of SHEOLYIT, and was myself astounded at the connection to this message and hidden language, and really exactly what's going on around us--or with us--right this very moment to the word "hey, way" and how the word "really" deciphers those two particular keys to the problem and the solution as seeing "hell" and "hey" together with overcoming the "wall" is the "way." At least that's how I'm plalling it.
I'm in a strange place, looking at where this message that I believe you are driving has taken us--and I feel a new closeness to these two scenes in particular; the first from the Fifth Element where a "kiss" somehow rekindles the light bringers faith in humanity--something I see here; whether you want to hear it or not--nearly exactly the opposite, I stare out at a sea of obviously knowing eyes completely ignore my personal needs or well being as I work tirelessly day in an day out to ensure that we receive this message... single handedly delivering it to the entire world and the thanks I've received so far is loneliness and what I can only imagine are feelings similar to how I feel about you--that you appear to be extra-terrestrials. I don't know how else to explain it--my "judgement mechanism" is looking at how the outside world is reacting to me, and I see that you are not thankful at all, and you are not trying to see the light of what I am doing here... you really don't seem to think there's anything wrong at all--and I'm telling you that's not a good sign. I am being kept is what is nothing less than a "Heaven constructed" prison here--held in something similar to Elba Island, I imagine--with no money at all and the entirety of my social contact comes tainted with time traveling demons spending nearly all of their time reacting to my thoughts and making me more and more uncomfortable every day. Here's the "gist" -- I see what is available for me to write about, I could be talking about methods of colonization and star travel, I could be talking about fusion, or about my true heart's joy--I could be talking about virtual reality... but because of what you are not doing I am sending you message after message about my dick, about Lothario, and about the fact that you don't seem to think there's something wrong with the media, and the internet that is hiding the most obvious and ostentatious proof of creation that the world has ever seen--and you think you're going to box me up and "extract" my love.
I'm staring up at a monster of darkness in the sky, and it has your face on it; your blank stare, and it looks at me through your eyes--I am standing here in the Fifth Element's Temple with a weapon that can protect freedom and individuality and ensure a thriving future--if that's what you want, if you are willing to participate; and I'm telling you that I am stopping and waiting for some smiles--because what I see is not worth saving.
The intersect juxtaposes these two scenes--the other the "epitome" of the famous line from Fight Club "I just wanted to destroy something beautiful" and I can very well understand that you might think that the "face I've put on" in these messages and in this story is something less than desirable--though pointing out again that you would not have seen at all what's going on, you wouldn't have seen the censorship, or the infiltration of the government, you wouldn't have seen the nearly transparent effects of mind control--and you would have gone on hoping to wind up waking up in a place with a totalitarian dictator ruling you for eternity--or at least continuing in what looks like nothing more than a sick farce, a play you put on in this place as you go and pay homage to the idea of a creator and the idea of being "morally right" or good--though it seems in secret you have no problem with the thousands of years of disconnect between religion and reality--and when I come along to point out that the disconnect is really not as large as you think, in fact there's no disconnect at all if you really saw and understood how it is that God continues to speak to you to this very moment; you appear to be content practicing a lie, and allowing others to be subjugated by yet another corrupt institution of half truths rather than doing the very obvious and only logical thing you can right this very moment; seeing who I am and what this is, and picking up a telephone and calling a reporter.