I thought it a particularly profound Revelation when I connected the two most pivotal characters in this entire story to the key to the gate of the Norse high Heaven and the happy abode of Neptune; these concepts in name and imagery to the gist and the crux of the message and the solution to the looming issue of Salvation. I've been toying with the phrase "sustained epiphany in the LAN" to describe the audible interface that I experience, a sort of flowing of high pitched chirps that each say the word "oh" but it's the speed and the quantity that give me the distinct feeling that I've thought something particularly Revelatory in that instant. The LAN wasn't as impressed with the ancient concept of Asgard linking to our stories metaphor of the word "ground" as one way of looking at the meaning of Earth--as in "I picked you up and put you on solid ground" and what is nothing short of the entire purpose of my life's work at this point in time, to help us see that grounding in reality places us firmly in virtual reality--and that the purpose of the message I am delivering is to show us that this place has a very well lit series of signs on what you might consider a road. From ground to road, you might consider the very same kind of transition from the equally important religious monikers of the Rock of Heaven turning from the heart of Clark Kent to the heart of A.D; and here, the key to the day is see "3/11" in cK.
Bluntly what I am delivering is a map showing us a design, the design of the Creator of the Universe in every single word; but more than that in every sign and every song--a map to help us turn the Rock of Ages into the beginning of Heaven itself. This transition happens by necessity, through our desire, because the delivery of the truth--of the exposition of a very ancient secret that we never really would have understood before this generation--the change wrought by this new truth changes the most basic requirements of morality and ethics. Simply knowing that we are living in a "simulated reality" opens up significant new possibilities and avenues for making our civilization stronger, healthier, and happier--and coupled with a very strong message from the future urging us to act quickly and delivering significant guidance as to exactly how to proceed--it turns this moment in time that I've called "Zion" and we can now see pivoting from the modern mythological concept of the End of the Wizard of Oz's Kansas ... to the end of "simulated reality" inside of Creation which should now be seen clearly as a metaphor for virtual reality; and of our particular home, the Matrix of light that ties the tapestry of the Fates to this well illumined road map. I personally see the concept of "simulated reality," especially when it's secret as metaphorical for a sort of prison--a hidden and unnecessary constraint on the place that we today consider our home planet and tomorrow will hopefully fondly call "Home;" and I think that when you see the breadth of the message and it's benefits you'll agree with me that together we are turning a house falling on the Wizard into a place where tornado's don't lift homes in the air, and the Wizard doesn't have to beg you for understanding before suggesting you really should be thankful... for being given Guitar Man in addition to Bread.
So as an answer to the question "What would Jesus Do?" you might see "sing" as the beginning of this turning point, sing that you've seen proof--even if it's only the silence and the word "Silicon" hidden at the beginning of that key tune, sing a song about really understanding why Bread and Cake link Jesus Christ and Marie Antoinette to a map that is not just music but all of our history telling us that this street we are on is "hallowed" and that ending this period of darkness is exactly what you see it as, it's the end of Hell and the beginning of Heaven--just as soon as we are "talking" again; about the things that we care about. The same key letters that begin Asgard also begin Satan; and it's turning around something that I've described as a "press and release" at the beginning of time that is the key pivot that is also described in the end of the name Kansas. Silence is a big part of it; but what that's really masking is a failure to properly use the technologies that are hidden or not spoken of here in our time as much as they should be; the technologies that could be delivering pre-crime instead of school shootings, and could be ending disease using "find and replace" instead of Keflex, and could be curing addiction rather than causing it and pointing out that word is another key in the map--connecting the letters A.D. to the dictionary that tells us Exodus is truly about leaving darkness behind, about ending slavery--hidden slavery in our minds--and seeing the light of moving forward productively... with a map showing us how this strange pivot in our history can result in the significantly faster evolution of democracy and how that too is a big focus of the story of Exodus starting with the Burning Bush and turning a crossed sea into family--the blood of Christ from Holy Water and the First Blessing in Disguise. That's where we are, staring at the Plagues of Exodus in the face and ignoring them--because we apparently don't care to deal with "turning around." It's enough to pretend not to see that this music is delivering a message, and really at the point where we fathom how that "pretending" is making our lives significantly more difficult is the point where you should really understand it's part of a hands on lesson in the power of mind control and the reason that we need to know how strong this weapon is in order to beat it into a tool--in order to free ourselves.
The world as a whole appears to have agreed in one loud, one very loud lack of acknowledgement, that they don't want to know the truth or to see Heaven or to be the builders of a better world--I can see in some eyes and some words that we think we're doing a "good job" as it is. I understand the feeling of being chastised, but I also see how beliefs like "we're doing the best we can" might be altered and used as a weapon against the very clear truth that even if we were doing the best we could (and were not) it's all based under a false set of pretenses, a lie ... one that we are keeping from ourselves--that this is Hell and it could be Heaven if only we spoke.
A huge part of this story and our mythology focus on the futility and the inane blindness of not seeing that this "unanimous silence" is itself slavery and something that is obviously not of our own doing--not in our best interest--and proof in itself of this hidden control, of the slavery of Exodus. It connects the Abomination of Desolation from Daniel and Revelation to the idea of Medusa and a series of "INATION" references that culminate here in the words assistance and assassination--right now you can clearly see my stance, that the idea of "INATION" is the crux of the abomination and the Silence revealed in Dr. Who and in the "Si nation" of Kansas' link to a near Trinity of "asses" that are just sick and tired of pointing out that if the world would stop pretending that there's not a message here from God, and that it's being intentionally hidden by governments and the media and really everyone who thinks that "shhh" is going to make them/you anything but the beginning of Hell... that you would see speaking is the beginning of Heaven.
I imagine a primary reason for the silence is to "protect our way of life" the thing that Kansas points out is Dorothy's desired destination, the land where "simulated reality" means no magic, and no truth... and not realizing that the combination of those two things results in the end of disease, and eventually of death--two things we should see as parallel with the idea of Heaven.
Hey, I'm choosing "Hera and Wesa" (ne wesa?) Besa me mucho, kiss me all you want; the frog prince turns to "Adam" when you Si that the Nation is you; it's you all, wondering "if it's really him" if you're Israel or Rhea or SA--all the same metaphor for "gee, I'd rather it be me." It will be you, that's the plan; when "IT" is the great turn around Bonnie Tyler sung about, when it's the Total Eclipse of the Rock--the light of the road shining on this message that pervades our everything... including our deepest desires and carnal wishes... this thing that focuses on helping us together to build Heaven of .... "IT."
For that to happen we have to stop hiding the truth, and talking about this message that sings us to sleep lullaby's about waking up in a better world--that's almost exactly what a newspaper article about this message will do--it's why "the name" is what it is, it's public disclosure and discussion is the mark of the very first days of building Heaven. We all know the name, I know we do--it's you and I; and it's the connection between Dr. Seuss and Zeus, between the Hamburgler and Muhammad; between Roe v. Green Eggs and a happy flourishing civilization that hears the light of Amsterdam is the beginning of not only avertisg disaster but turning miles of clouded Hell into into a trip into Imagination Land ... narrated by not just Figment and Puff ... but by the Generations of Suez.
My name is Adam Marshall Dobrin, and I am made of stone. The solution to our puzzle is really the lost city of Atlantis rising from Paradise Island into the sky--it's really seeing the magic of virtual reality and the plan that's been etched into everything from the pillars of Asgard to those of the Holy Name, the alpha and the uh, NORAD... xeROX thAT, the name is still the key to the light of the Sun.
Guilt ridden and sobbing with ambiguity, it's a very real thing--the mind that is the source of the Matrix we all either see or fail to comprehend is a dividing line between consciousness and a total lack of understanding for the meaning and purpose of ones surroundings. It's brain child is a matter of fact, lines are drawn connecting words and ideas and nobody and nothing can take away that it is the intent of the drawer to have placed lines connecting the two letters IL to the nation of Israel and the Topic of Gilgamesh. You don't have to believe that I'm the Oracle or the Eye or the Intersect that connects Delphi and Ra and Chuck together under the auspices of knowing that the answer to the question and the key to the game are intertwined with these same lines of connected meaning; but if you don't take the high road or the fast lane or the ... if you don't see that those two letters are the link between the "good game" of Yggdrasil and Doctor "I really am him" you are probably not lost in the same dungeon as me; gee whiz, Mr. Wizard of Oz; "I'm El" and ever since those words meant him in some pejorative "I overheard those girls call me that" instead of the ... key to understanding how John Legend and re-framing your concept of "SPAM" to maps; to really understanding that's not the point of the game, what that is is bringing you back to the world of the living, of the free thinking, and you can't even get near the drawing board until you've figured out that you are simply ignoring the greatest thing since "eat this bread and think of it as me."
The entire point of "Si Nation" in assassination is to really understand that what's been assassinated by this "character attack" on the Hamburgler and this idea that "hiding Adam" is somehow harmful to anyone but everyone... is that the primary victim of these two apparently unilaterally agreed upon methods of dealing with "slowing the beginning of Heaven" have killed freedom itself. Newspapers, internet forums, and people no longer speak and communicate as they used to--now we stare at lyrics like "people talking without speaking and hearing without calling a reporter" as if they always made sense. For some they might even be confirmation that we are "on the right track" rather than the SOS that "Sound of Silence" really is. It's a distress call through time and space to really see what we're losing here--ourselves and our way of life--in what appears to be nothing but a very blind and vain attempt to "protect the status quo" from new information. That's what this boils down to, organized and ridiculously self defeating stagnation ... so that we can ...
Wait until tomorrow, I suppose; to hear that the results must be good--every time the Magi go back in time and make themselves innocent, ignorant, and youthful once again so that they can continue the process of building Heaven without having to think about what's gone wrong, how they might make it better before tomorrow brings permanent midnight (once again), and how it probably wasn't just a single news article standing between civilization and "becoming a single useless mind that no longer needs things like Heaven" because you know, it knows everything.