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... and he revealed some Very Holy Names: Anderson cK Jones A.L.


I  N      T   H   E      C   O   N   T   E   X  T       O   F 
E  T    S  E  X ?

The cter and cuter I think I get, the more and more what would otherwise be a decoder ring to the hidden secrets of Creation begins to sound like gibberish.  The keys to the gates of Asgard lie in the exposition of the intersection of a map that we have without doubt written with our own hands in the kind of way that some artists might throw paint against a wall and marvel at the magically beautiful designs that sometimes appear as an act of nothing but a hand and force majure.  I suppose I am not being kind or thankful enough to the arm that moved the hand, and the shoulder and elwow that certainly worked in concert to lay the paint against the canvass.  I hope not to belittle it either, but there was really no action or effort involved in sitting still and allowing the paint to stick to it--at least, that's the microcosmic metaphor of what it is that I see in our history and art--a beautiful and intricate design that has appeared from the synchronized loves of the world as a whole, the active efforts of fewer, and at the very top of that symbolic stage is the director behind the Eye, the hand, the elwow, and the shoulders.

I too have hands and joints (that aren't just for smoking and for creating laughter) but just like the canvas and the paint; and even the hand my contribution is dulled by the shadow of something so huge it's hidden in plain sight absolutely everywhere we look.  It's the truth, it's actual, everything is satisfactual; simply by connecting the two letter key of "Al" to a number of works of art (and words like satisfactualsea, spinach (and through that magical food that rained down from the Heavens... manna, salt, and China), kis and "the beginning") like Mary Poppins and Quantum Leap we begin to see how Al's waiting room and Al Pacino's "who-ah" could easily be woven together into a map of something more concrete and "discus-sable" like instant  the implementation of a system to protect people from violent crimes like rape and murder using something similar to the non-aggression principle--though here in this place we seem to be eagerly overlooking the application of this same kind of principle as it relates to the hidden mental slavery of Exodus.  The intersect of Ra continues to link an episode of Dr. Who called the completely non-religious title of The Bells of Saint John about how the public disclosure of the existence of this technology will inevitably result in its use for good purposes rather than nefarious ones.  I could spend time regurgitating the intersection of "Who" and names of God and songs; but significantly more pressing and important is the fact that you appear to not recognize the import of these patterns, don't see them, or don't remember that you have seen so much compounding evidence that this message comes directly from the actively Creating author of our civilization that you all appear to be complete morons.  So that's a problem; one that is exacerbated by further social problems related to censorship and what appears to be "religiously relating" sshhing from shaddai to Deepthroat.

I've traveled back in time from writing the two paragraphs that follow this one; filled with information that I personally find interesting and useful, but fear that I would lose a significant number of readers attention or eyes on the primary purpose of this message--which is to see that the intersection of the names Anderson are this particular question's answer to John 7:17.  Here in this place it's obvious that as Creation continues to flourish like paint being meticulously splashed onto a canvas of solid gold the answer to "what is the doctrine of that verse" becomes clear in it's link to names and the ideas of intersection as in Chuck and Eye of Ra.  Anderson "begins" with the very obvious connection to the Matrix and a much less known work of dystopic fiction about the effect of "brain jacks" on the future of society called "Feed" by a man named M.T. Anderson; and that connects even further to the heart of the word "eternity" where his name clarifies my explanation that "er" has always meant something like "and" to me in this story of the life of Jesus Christ.  In eternity "IT" is either the only one of the other four or five words that could mean "and" that doesn't--or it follows the pattern of "ands" that are without doubt both the beginning and the end of the word, in Latin and Spanish; respectively.

It's been a few days now that I've been pondering the hidden meaning of the words "hidden" that clearly has a salutation and another moniker of "boat" in it... and analysis; which you'll see includes both the good and bad "dad figure" of the Devil's Advocate along with the two letters I like to believe are ( myself--the "an" of messianically and Christianity and the color cyan that I am very sure from all of the connections to "green" in our modern art and it's absolutely zero occurrences in the Holy Bible is part of a plan designed to ensure that we do see clearly what it means to be on the way up and improving in situation--as opposed to where we are in the throes of decoding words like "Satan" and "Asgard" to see that it is nothing less than the sight of what it is that ""SA" truly means that turns everything from abysmal to significantly better than satisfactual.  So back to words that I hear the "spirit" behind my Eye (or at least one of the many letters from F (as in fart and fan) to P (as in Peter and Pan) just to name a few in a long line of once people who probably saw the letter C stand out in the language Amharic) connect to the idea of analysis which are sister, silicon, and kiss clearly deciphering the intersection of these patterns that link other completely and totally unrelated words like "Uranus" and "awesome" is the beginning of a process of discussion about just how it is that very few originally saw "so me" in that word and people probably still wonder if it means "that's so me" or "so I'm Uranus."  What ensues after the world begins to really understand that what I am delivering is more than a decoder ring but the beginnings of a map that you yourselves probably agree with the purpose of--to build Heaven itself--and even that you might have had something to do with writing it.  What was once something esoteric like perhaps being part of the "popular opinion" or the groupthink that desired science fiction about immortality (you know, just for instance) to be written; beginning to see that this map leads us from a set of starting points to a discussion about why it might be both good and bad to achieve such a thing--and that it's all in the way that we do it--is beginning to see why we should be wanting to "talk about this map."
It started a long, long time ago--really the ideas of immortality are laced into the green faced Osiris--not because of the color of grass but in my mind because of the phrase "behind the ears" that today you might liken to something about the message of Earth just as much as you liken it to the idea of being "new at this" game of hidden monkey in the middle of the astrological sign of the sun.  I haven't really read all that much about his religion--other than to note that the idea of immortality grew in significant popularity in his cult.. and the personal observation that his "message" was something along the lines of "Heaven will make everything OK" which has very little to do with the color green in my "take" on religion.  It continues through history, but two fairly well "lit" examples of the quest for immortality connect to the letters P and CK that we can see in the Floridian quest of Ponce de Leon (which you might read as "P on C.E. of the "weak right El (that's really him by the way, in Spanish) on" where I see that "on" is the meaning of "ce" rather than erasing A.D. ... but here I am masquerading as the focal point of some kind of huge production that apparently has made no waves at all anywhere in Creation) and it's counterpart in recent literature "Tuck Everlasting" that I once read as "Christ, you are Clark Kent until the end of time" and here I am trying to explain that we are there too--we are at this place that is both the beginning and the end of time in one simultaneous confession of the explanation of the idea that time truly begins when we decide to protect the past and stop altering our present and that decision superimposes with the apparent end of "time travel."  The map, whose green light focuses on the significant worth of genetic recombination in the adaptation to environmental changes and also on the love for "family life" that really seems to be to be the primary drive of a huge percentage of the population to continue to try and make the world a better place.  Not stopping "reproduction" and "adaptation" is one highlighted reason not to simply "become immortal" in some kind of ascension process connected to the realization that, as the Lord's prayer informs us--the Earth is already "in Heaven."  I've myself a number of times wondered and pointed out that there's very little literature about the ideas of having sex or children in Heaven, and I think losing either of those things would be a significant tragedy--and yet it does appear that's what "losing physicality" means.

Of course that doesn't mean that we "shouldn't become immortal" and a significant amount of my writing revolves around the ideas that sicknessaging and death are easily overcommable maladies--especially in the context of "virtual reality."  

I didn't mention "Jones" at all, though I think seeing the connection to "Nintendo Entertainment System" as well as J is for "Midas" begins to show us why it is that Indiana Jones has something to do with "it's not a game" and the names Olsen and Momsen.   The main point here is that there's significant "stuff to talk about" that we should both find interesting and useful, we aren't currently doing that in a way that is affecting anything at all positively--as in I don't see any discussion at all; and we should.



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